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The Real
it hurt it hurt it hurt
the lack of heaven
in the violation of the sky.
it hurt hurt hurt
all the blurbs and fairytales, peddled,
that politicians proclaimed,
lapped up by a pandemic
of unthinking thought.
it never
even entered the outer
perimeter of the real,
or lay witness to the manufactory
in the pits between the skyscrapers.
if there was a real god,
one who didn’t on the leash of souls fascinate,
she was chastised, marginal,
a handmaiden of the crippled and naive,
tolerated yet flimsy,
saddled with an impossible task:
to nurture trust
between those of different skin,
and debunk a sacrilege
of White wonder bread.
the politicians,
they had knives for mean tongues,
and cut diamonds with precision
from the religious fat.
they slashed to slay
the quests of the ethical,
drawing out blood
to swill the scarlet of hate.
below their pulpit on the hill,
the coinage and oink-honks
of a low city responded,
ravenous for violence.
it was obvious
though unmentionable in this obvious context
that violence
was the real eucharist.
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Kenny Cole, in his Parabellum project for UMMA (see blog post), used several of my poems, two of which have never before been published. One of those poems is above. The theme is in the spirit of Cole's anti-war, anti-conformity message, heartily expressed through provocative art.
To see all the poems in Parabellum, go here:
http://kennycole.com/p-/the-poetry-of-parabellum
Fly Well In the Dark,
Owl
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