CLICK FOR THE ANTHOLOGY
On December 1, Vine Leaves Journal will release its Best of 2013 Anthology. I’ve seen the proofs, and I’m more than honored that my poem, “Hiroshima Shadow” starts off the entire collection on page one. When I expressed my gratitude for this, one of the editors told me it was her favorite poem of the entire year! Speaking of the editors, there are two of them, Jessica Bell and Dawn Ius. They have done a fantastic job rocketing Vine Leaves up the Duotrope.com charts, where it sits near the top of the list of journals receiving the most submissions. This is an outstanding feat, given that the Leaves have only been trellising since 2012.
To read my previous thoughts (basically a review) of Vine Leaves, go here:
Obviously I’m rushing to buy this anthology mainly out of pride (I get so many rejections that any acceptance reinvigorates me, even more when my work is featured), but one special thing about the style of Bell & Ius is their masterful fusion of art and literature into a syncretic whole, a formidable emotional journey through strands of woven media. The preview I’ve seen of the ‘Best Of’ anthology promises all this, and on a grander scale. It would be a superlative choice for any collection of cutting-edge magazines.
Regarding “Hiroshima Shadow,” it was created in a workshop, run by Lissa Kiernan, at the Poetry Coop. The title of the workshop was “Unbecoming Numb: Nuclear Poetics.” And I believe she is offering it again, in May 2014. This is one of the best workshops I ever took, and I highly--extremely--recommend it. Visit poetrycoop.com for more info.
Fly Well In the Dark,