Ethics Review: Till
(2022)
Welcome to the Ethics Review.
The focus is on the cultural messages sent by the movie or show, not the overall quality.
Till (2022)
Till is a succinctly apt title for a movie that honors
both Emmett and his mother Mamie. The extremely
violent, hate-fueled, racist murder of 14-year old Emmett Till takes place in
an early scene, and although he remains a rich presence, the main focus is on
Mamie.
There is no downside to Till. In contrast, when I reviewed Marshall,
eponymous with Thurgood Marshall, there was a serious flaw: not only the
inclusion, but the cinematic pedestaling of a rape myth: that women who don’t scream aren’t really
raped.
https://owlwholaughs.blogspot.com/2021/10/ethical-review-sketches-of-five-netflix.html
The importance of challenging this myth came up recently in the E. Jean Carroll lawsuit against Donald Trump. When cross-examined, Carroll said, “I'm
telling you he raped me, whether I screamed or not.”
Till includes no oppressive stereotypes, not that
I saw. It furthermore empowers both
Black women and men, with sensitive supporting roles for the males who help
Mamie face the trauma of losing her son.
Many characters, male and female, bolster Mamie, while facing their own
insecurities and wounds. Due to astute script-writing, these self-confrontations implicitly examine how White dominance coerces
the human soul.
Despite the revelatory and validating voices around her, Mamie
leads the way . In fact, her poignant
and challenging remarks are often the reason people dare to face their own
demons and end up supporting her. Unprompted,
Mamie makes the excruciating choice to display her son’s body in an open casket,
putting his hideous wounds on display for the public. Justice is her brave goal, justice
that takes on a vicious, gaslighting White Southern
establishment, and the inveterate institution of racism itself.
As befits a tribute to a crucial historical event, the acting is superb. Danielle Deadwyler, who plays Mamie, absorbed
me with her grief, her anger, her resolve, and every other nuance of emotion
and passion one might expect from a mother whose son is murdered in vast hate,
and who finds herself thrust into the national spotlight.
If the acting had been bad, it would've been, in my mind, an ethical failure, a kind of mockery, though unintentional. But real care was taken to make this movie worthy
of its topic.
The disfigurement and death of Emmett exemplifies the presence
of a great evil in our society: a virulent
racism that slouches onward still, far after the Civil War to end slavery. This racism
festered in segregated 1955, when the movie is set, and still does to this day.
And yet Till also shines a light of hope on our
future as a nation. If Mamie can do what
she did, and if we Americans can welcome into our hearts and minds a movie about
her and Emmett, a movie this evocative, this compelling, this ethically
beautiful, maybe we can overcome someday. I will dare to say it: some progress, but not nearly enough, not near the mountaintop yet, has been made.
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Semester ended, grading done, I've been wanting to do some ethical reviews for some time.